Anagrams of: NASALCAVITY

• the qualities of a hero or heroine; exceptional or heroic courage when facing danger (especially in battle)

• A wild animal

• Of or pertaining to woods or woodland organisms; sylvan

• Of or pertaining to wild rather than domestic animals

• a sizeable hole (usually in the ground)

• space that is surrounded by something

• soft decayed area in a tooth; progressive decay can lead to the death of a tooth

• (anatomy) a natural hollow or sinus within the body

• using or subjected to a methodology using algebra and calculus

• using or skilled in using analysis (i.e., separating a whole--intellectual or substantial--into its elemental parts or basic principles)

• expressing a grammatical category by using two or more words rather than inflection

• of a proposition that is necessarily true independent of fact or experience

• An operatic song in slow tempo, either complete in itself or (e.g., in Bellini and Verdi) followed by a faster, more resolute section: hence

• A rather slow, song-like instrumental movement; the title, for example, of a movement in Beethoven's string quartet in B flat, op. 130 (1826) and of a once-famous piece (originally for violin and piano) by Raff, and of the slow movement of Rubra's string quartet No. 2.

• using or subjected to a methodology using algebra and calculus

• using or skilled in using analysis (i.e., separating a whole--intellectual or substantial--into its elemental parts or basic principles)

• expressing a grammatical category by using two or more words rather than inflection

• of a proposition that is necessarily true independent of fact or experience

• Peruvian shrub or small tree having large glossy leaves and cymes of fragrant yellow to green or red flowers; cultivated for its medicinal bark

• the trait of behaving in an obscene manner

• An operatic song in slow tempo, either complete in itself or (e.g., in Bellini and Verdi) followed by a faster, more resolute section: hence

• A rather slow, song-like instrumental movement; the title, for example, of a movement in Beethoven's string quartet in B flat, op. 130 (1826) and of a once-famous piece (originally for violin and piano) by Raff, and of the slow movement of Rubra's string quartet No. 2.